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Phoebe Bridgers, St. Vincent, Damon Albarn Contribute To Paul McCartney Re-Work Album

‘McCartney III’ has been turned inside out…Paul McCartney has revealed the full tracklisting for a re-worked take on his home recorded hit ‘McCartney III’.
The final part in a loose trilogy of sorts, ‘McCartney III’ was recorded at home in Surrey, with the Beatles legend writing, performing, recording, and producing the record on his own.
A critically acclaimed hit, ‘McCartney III’ is set to be turned inside out on this new project.
‘McCartney III Imagined’ lands on April 16th – order it HERE – and it features new music from Beck, St. Vincent, Phoebe Bridgers, Damon Albarn, Blood Orange, and more.
Whether it’s a remix or a complete re-work, each artist is tasked with interpreting a song from ‘McCartney III’ in their own way.
Dominic Fike offers an interpretation of ‘The Kiss Of Venus’ – tune in below.

Tracklisting:
1. Find My Way (feat. Beck)
2. The Kiss of Venus (Dominic Fike)
3. Pretty Boys (feat. Khruangbin)
4. Women And Wives (St. Vincent Remix)
5. Deep Down (Blood Orange Remix)
6. Seize The Day (feat. Phoebe Bridgers)
7. Slidin’ (EOB Remix)
8. Long Tailed Winter Bird (Damon Albarn Remix)
9. Lavatory Lil (Josh Homme)
10. When Winter Comes (Anderson .Paak Remix)
11. Deep Deep Feeling (3D RDN Remix)
12. Long Tailed Winter Bird (Idris Elba Remix)*
* Physical release exclusive track
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This is the Spotify playlist I’m addicted to right now

Woody Harrelson’s character in the 1997 movie Welcome to Sarajevo has this great line, where he rakishly declares at one point, “You know, only two good things ever came from England. One, America. Two, The Beatles!”
The statement is a gross exaggeration, of course, but it’s the kind of thing that can feel at least directionally accurate to a certain kind of music fan. Most of the music I love came from there, which probably explains my addiction to a new quasi-morning radio show I recently discovered and have incorporated into my daily routine. Everything I love stays in heavy rotation on this show’s playlist, from the The Clash to New Order, The Stone Roses and, of course, The Fab Four. In fact, that trick is how Spotify was able to hook me me on The Get Up, a new … well, think of this still relatively new Spotify playlist (which is really a radio show) as the sonic love child of a podcast and a playlist, mixed with the trappings of a traditional radio show format. There are hosts to keep you entertained and informed, A-, B- and C-block segments, and, of course, plenty of music. Music that Spotify pulls from the bands, artists and genres that it already knows I love. Like on one particular morning, when The Get Up hosts Kat Lazo, Speedy Morman, and Xavier “X” Jernigan had finished one of their segments, and the show then delivered up the first chunk of music algorithmically tailored to me. Next thing I knew, Peter Hook’s sublime, propulsive bassline that opens the track Age of Consent on New Order’s staggering 1983 album Power, Corruption & Lies was filling my ears. And I knew I was home.

“It’s fresh, it’s new, and it’s also super personal,” The Get Up cohost Kat Lazo told BGR in an interview, along with her two other cohosts, about the show. “What we hear a lot about our dynamic is that it’s so inviting to, like, listen to three friends kind of talk about what’s going on in the world, whether that’s pop culture, whether that’s the news. It has that personal touch, and on top of it — the way it’s different from a traditional FM radio show — everyone is going to get different music.
“I may get some songs from Bad Bunny, some hip hop, some R&B, and that kind of touch also personalizes the experience for users.”
The show, which launched in October, had already picked up more than 1 million listeners by January, the streamer told Bloomberg. Not bad for a show that kind of bobs and weaves around users’ expectation of what, as a music lover, you can expect these days from a streamer like Spotify, and from an offering that has elements of both playlists and the produced segments of a podcast. “The Spotify team did a great job of explaining to us what their vision was, and kind of how Kat, X and I fit into the mold to help achieve that,” Morman told BGR. “This is something that didn’t exist before, and being part of the team to help bring it to the mainstream was really exciting to all of us.”

For the “A” segment of a recent episode of The Get Up earlier this month, things kicked off not unlike how a high-profile traditional radio show — say, The Breakfast Club in New York City — might get things started. It has that same feel, while also, because it’s Spotify, being something different. “Here, as always by my side, are the homies,” Jernigan began, before detouring to offer a personal shout-out to a friend who happened to be celebrating five years of sobriety that day and who was also a Day 1 listener of the show — a man who works in sanitation for the city of New York, who Jernigan went on to praise as “a great father, hard worker, (and) he’s somebody who inspires me, whether he knows it or not.”
Then he handed things over to Morman, to deliver the day’s headlines. “To start with a little bit of good news, the newly approved vaccine from Johnson & Johnson could be arriving in the (US) today …” That led to some back-and-forth between Jernigan and Morman, with both men agreeing that everyone needs to “buckle down, so we can get there together,” and that “If you look closely, guys, you can almost see light at the end of the tunnel.”
According to Morman, the produced segments — which, again, are separate from the stretches of the show wherein Spotify serves up music tailored to each listener’s unique tastes — include a generally news-heavy A-segment, followed by more talk and banter, as well as pop culture, in the next segment. Which, in turn, is followed by more heavily produced, thought-out segments in the blocks after that.
The segments also feature recurring bits like “Stump X,” wherein Jernigan answers trivia questions asked in an effort to trip him up (he’s one of those frustratingly dedicated polymaths who, you know, knows a little about a lot). All in good fun, of course.
It quickly becomes clear to new listeners that The Get Up is trying to be a new kind of morning show, but, this being a streamer as global as Spotify, you can of course also listen whenever you want over of the day. The show is ready for listeners every Monday through Friday, starting at 7 am Eastern at www.spotify.com/thegetup.
More than that, though, this is another example of where Spotify as a global entertainment giant is headed — with non-music offerings, especially podcasts, increasingly in the streamer’s sights. A few days ago, a forecast predicted that Spotify’s podcast listening audience will overtake Apple’s for the first time this year, thanks in part to locking in deals with creators like Joe Rogan, as well as President Barack Obama and Bruce Springsteen, for exclusive podcasts. As The Get Up shows, there’s a lot more now to keep you hooked and entertained inside the Spotify app, beyond simply using the service to stream your favorite Post Malone track for the umpteenth time.
“We’ll keep adding new things in as we go,” Jernigan tells BGR. “And what’s dope is, I want to be clear about this, they didn’t just have this ready-made show and it was all set up and we just came in as hosts. We also helped to build what the show sounded like from the beginning, and the producers were also good about inviting us into that process, asking us questions about what we feel is missing from morning radio.
“For us, we wanted a show that didn’t have a negative tone. We wanted this to be a show that was positive and helped ease you into your day with a smile.”
https://twitter.com/pestogawd/status/1352319565250879490
Adds Lazo: “We have listeners in Alaska, in Hawaii, and people calling in from Vermont and Washington state” — all over, in other words. The cohosts also did their first Instagram Live (@thegetupmorningshow) a few days before chatting with BGR. “On Instagram, we hear from people that this is now part of my morning routine — but for some people, their morning is starting at nine, while for other people it starts at noon. And we’ve heard this is part of people’s workout routine.”
As far as what Lazo thinks is the best thing about the show right now, “You know what I’m loving? I’m loving the love we get from our listeners. It’s amazing that in a moment when we’re so isolated, when we’re all in our individual homes, we the hosts have the pleasure of interacting with one another on a daily basis remotely — sometimes I even forget, oh that’s right! An entire nation is listening to this! So, when people give feedback on Instagram or by calling in, I think that’s my favorite part. Just reminding each other we’re not alone, we’re not isolated. That there’s an entire nation that is relating and that wants this type of content.”
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The Sounds That Inspire Gabriel Garzón-Montano

From the Beatles to Lil Wayne…Gabriel Garzón-Montano has never wanted his art to stay in one place.
A true multi-hyphenate, his work darts from one space to the next, merging remarkably disparate elements into a unique, vivid whole.
New album ‘Agüita’ is out now, a song cycle that dares to be different, the expression of a songwriter who taps into nuance, and excels at contouring varying aspects of sound.
A project that lingers in the memory, Gabriel has just shared a new remix of ‘Mira My Look’, one that finds half.cool re-working the original.
Gabriel Garzón-Montano comments…
“half.cool did the beat on the album. They went crazy with this remix. Andrekza is too funky. The way she vocalizes tickles my ankle bone. She added a gorgeous verse. I was like a little kid in the studio watching her process and started scribbling an alternate verse for the ending. Andrekza’s energy in the studio is a gift. Confidence and love.”
Clash took a moment to catch up with Gabriel Garzón-Montano and explore his Influences…
– – –
Lil Wayne – ‘A Milli’

Don’t go in her garden and don’t smell her flowers.
– – –
Prince – ‘Adore’

P is flexing here. The song. The vocal performance. The through composed arrangement. The virtuosity. The way this track opens up at the end into a heavenly orgasm… it’s a masterpiece.
– – –
OutKast – ‘Liberation’

P-funk group vocals in my childhood. The luckyness of having these accompany me through my pubescent transitions! These marked me. A new style of octave doubling and bringing church music to hip-hop.
– – –
Biggie Smalls – ‘Unbelievable’

earth. Balanc3. POCKET. Love.
– – –
The Beatles – ‘Happiness Is A Warm Gun’

John’s melody and his voice. It brings me to tears. This music meets my needs in a compassionate way.
– – –
‘Agüita’ is out now.
Photo Credit: Jack McKain
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Sir Paul McCartney releasing a new book titled ‘The Lyrics: 1956 to the present’

The Beatles legend will recount his life and career in the upcoming book through the medium of 154 songs written at various stages of his career
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Paul McCartney Prepares New Book The LYRICS: 1956 To The Present

It will be released on November 2nd…Paul McCartney is set to release new book The LYRICS: 1956 To The Present on November 2nd.
The new tome is billed as a self-portrait split into 154 songs, collected in one place as a career-spanning journey.
Renowned poet and writer Paul Muldoon edits and introduces the book, which the Beatles legend dubs a form of autobiography.
“More often than I can count, I’ve been asked if I would write an autobiography, but the time has never been right,” he comments in a press note. “The one thing I’ve always managed to do, whether at home or on the road, is to write new songs.”
“I know that some people, when they get to a certain age, like to go to a diary to recall day-to-day events from the past, but I have no such notebooks. What I do have are my songs, hundreds of them, which I’ve learned serve much the same purpose. And these songs span my entire life…”
Released on November 2nd, it traces Paul McCartney’s journey from his teenage experimentations, the explosive rise of the Beatles, his growth as a songwriter, and onwards through Wings, and his solo catalogue.
He adds: “I hope that what I’ve written will show people something about my songs and my life which they haven’t seen before. I’ve tried to say something about how the music happens and what it means to me and I hope what it may mean to others too.”
Paul Muldoon was intimately involved in the project, which seemingly took around five years to bring to gestation. In turn, he offers: “Based on conversations I had with Paul McCartney over a five year period, these commentaries are as close to an autobiography as we may ever come. His insights into his own artistic process confirm a notion at which we had but guessed — that Paul McCartney is a major literary figure who draws upon, and extends, the long tradition of poetry in English.”
Check out a trailer below.

The LYRICS: 1956 To The Present will be released on November 2nd.
Photo Credit: Mary McCartney
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The National’s Matt Berninger Shares Solo Cut ‘Let It Be’

His album ‘Serpentine Prison’ is being expanded…The National frontman Matt Berninger has shared new solo track ‘Let It Be’.
The songwriter went solo in 2020, releasing his album ‘Serpentine Prison’ to widespread critical acclaim.
A deluxe edition of the LP is now in the works, set to be given a digital release on March 12th.
In addition to this new song, the expanded tracklist boasts another new song alongside four covers.
‘Let It Be’ isn’t a Beatles song, and it’s not a Replacements song either, for that matter – calm and assured, it’s pushed ahead by Berninger’s distinct baritone.
Tune in now.

‘Serpentine Prison (Deluxe Edition)’ will be released on March 12th.
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What’s on? 10 top telly tips for Sunday

Today’s top telly tips include James Nesbitt, Charlene McKenna and Lorcan Cranitch in new drama Bloodlands, The Beatles, Chris Packham, and the grim tale of killer Joanna Dennehy . . .
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The National’s Matt Berninger Shares New Song “Let It Be”: Listen

The deluxe Serpentine Prison track is not a Beatles cover
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Tim Burton-Directed Wednesday Addams Series Set at Netflix

Netflix has ordered a live-action series that will feature Wednesday Addams, the gothic family’s daughter, which will be directed by Tim Burton.
The coming-of-age series, titled “Wednesday,” will follow Addams as a student at Nevermore Academy. Netflix describes “Wednesday” as a “sleuthing, supernaturally infused mystery charting Wednesday Addams’ years as a student at Nevermore Academy. Wednesday’s attempts to master her emerging psychic ability, thwart a monstrous killing spree that has terrorized the local town, and solve the supernatural mystery that embroiled her parents 25 years ago — all while navigating her new and very tangled relationships at Nevermore.”
The character was most notably played by Christina Ricci in films “The Addams Family” and “Addams Family Values.” Lisa Loring starred as the character in the 1960s “Addams Family” TV series, and Chloë Grace Moretz voices her in the most recent animated films. Depending on the adaptation, Wednesday is either the older or younger sister to her brother, Pugsly.
Along with directing, Burton will executive produce alongside “Smallville” creators Alfred Gough and Miles Millar, who will serve as head writers and showrunners. Additional executive producers include Andrew Mittman for 1.21, Kevin Miserocchi, Kayla Alpert, Jonathan Glickman for Glickmania, and Gail Berman. The series is from MGM/UA Television.
Also Read: Michael Keaton Drama ‘Worth’ Picked Up by Netflix and Obamas’ Higher Ground Productions
“The Addams Family,” first created by cartoonist Charles Addams in 1938, has had numerous on-screen iterations. The most notable version came in the 1990s with a pair of live-action films starring Raul Julia, Anjelica Huston, Christopher Lloyd and Christina Ricci (who played the teenage Wednesday). There was also an animated TV series around that same time. The most recent version has been a computer-animated film in 2019, with a sequel planned for 2021.
Burton is known for similar films to “Addams Family’s” general gothic-comedy tone such as “Edward Scissorhands,” “The Nightmare Before Christmas” and “Beatlejuice.”
Related stories from TheWrap:Black Film Critics Group to Honor Mariah Carey, George C Wolfe and NetflixThe Notorious BIG Saves ‘A Lot of People’s Lives But His’ in Trailer for Netflix Doc (Video)A Second Britney Spears Documentary in the Works, This Time at Netflix
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The Beatles in India: 16 Things You Didn’t Know

A ‘Lord of the Rings’ movie pitch, the genesis of the White Album and other trivia from the band’s historic stay in Rishikesh
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