Sarai was only fourteen when her mother uprooted her to live in Mexico with a notorious drug lord. Over time she forgot what it was like to live a normal life, but she never let go of her hope to escape the compound where she has been held for the past nine years.

Victor is a cold-blooded assassin who, like Sarai, has known only death and violence since he was a young boy. When Victor arrives at the compound to collect details and payment for a hit, Sarai sees him as her only opportunity for escape. But things don’t go as planned and instead of finding transport back to Tucson, she finds herself free from one dangerous man and caught in the clutches of another.

At 8,000 words, this collection of humorous essays explores such quirky topics as: disastrous home repairs, (“A Trip to the Hardware Store”), an unfortunate dinner party (“Dinner is Served”), the truth about lazy people (“Lazy Bones”), the weird life of a debt collector (“Your Account is Past Due”) and obsessions with gadgets (“Gadget Girl”). Other essays examine how surreal the aging process is (“Where Did the Time Go?”), why you shouldn’t judge a person by their job (“Beyond Belief”), and how to complicate simple transactions (“High Finance”). Like the author’s first work, “I’m Not Talking About You, Of Course…,” these essays will give your spirit a lift and leave you smiling.

The brutal murder of an elderly Medal of Honor winner from the Vietnam War, staged as a robbery, has unintended consequences. The hired killer, himself a veteran of more-recent American wars, feels betrayed by the people who paid him to eliminate a man he now reveres. The outraged assassin decides to seek revenge.

There is a problem. The assassin uses cutouts and secret accounts, and has no way of finding out who ordered the hit. But he knows someone who can. Someone he has trusted with his life in the past. Someone with a reputation for doing the impossible: Alton Rhode.

Miranda Ogilvy is accustomed to being invisible. Sometimes people actually see her, but they forget her almost immediately. It’s not a bad life for a ghost, but Miranda is not a ghost. She’s a librarian.
The problem may be that Miranda lives in a big, busy city. So when her aunt dies suddenly and leaves Miranda a century-old cottage forty miles beyond the middle of nowhere, Miranda makes the life-changing move from Miami to Minokee.
Moving doesn’t solve the problem, however; people still don’t notice Miranda. The only two people who seem all too aware of her are a handsome neighbor (way out of her league) and the man who murdered her aunt (too late to move back to Miami?).

A plague wiped out most of the population, but some have been spared. In San Francisco, those who were left—painters, writers, dreamers—began rebuilding the city in their image: a society based on art, community, and peace. But not everyone has the same pacifist ideals.

When a mysterious young woman, Jax, appears in San Francisco, she brings disturbing news. There’s a power-hungry man, a general, moving across California, annexing cities and rebuilding his own version of America, willing to destroy anyone who stands in his way. His sights are set on the Golden Gate Bridge, and his army will soon descend, bringing guns, determination, and violence.

An epic and gripping tale of catastrophe and survival,The Passage is the story of Amy—abandoned by her mother at the age of six, pursued and then imprisoned by the shadowy figures behind a government experiment of apocalyptic proportions. But Special Agent Brad Wolgast, the lawman sent to track her down, is disarmed by the curiously quiet girl and risks everything to save her. As the experiment goes nightmarishly wrong, Wolgast secures her escape—but he can’t stop society’s collapse. And as Amy walks alone, across miles and decades, into a future dark with violence and despair, she is filled with the mysterious and terrifying knowledge that only she has the power to save the ruined world.